Post War Australian Art Essay Example | Topics and Well Written Essays - 1000 words

Post War Australian Art - show ExampleImantsTillers greatest motivation is the production of pieces of artwork that show concerns regarding locality and place while too making evocations of the Australian landscape. Between 1974 and 1975, Imants produced Conversations with the bride. The piece of art typifies the installation media category. The installation provides a notable negotiation between Imants painting and Marcel Duchamps well-known painting entitled The bride stripped bare by her bachelors, even. Duchamps painting is also referred to as The large glass. Imants Conversations with the bride is a compilation of at least 112 small photographs and paintings (Hart & Tillers 2006, p. 9). These photos and paintings are set on multiple aluminum tripods with every image in the compilation creation appropriated from The large glass by Duchamp.In addition, Conversations with the bride also appropriates images of Hans Heysens watercolor Summer of 1909, which had a characteristic A ustralian landscape, consisting particularly of gum and eucalyptus trees. This calls to mind the magnificent forces of nature that is similar to the 19th century sentimentalist landscapes. The large glass and Summer were painted approximately the same time, and as a consequence, Imants perceives them as evenly representative of Australian cultural values (Stephen 2003, p. 16). These art pieces were sympathetic to Imants views at the time, especially with regard to Imants feelings regarding the component part of the fourth dimension, which is also evident in Duchamps artwork. Imants researches a lot of sources, collecting necessary funding vital for the compilation of the images inherent in the Conversations with the bride compilation. Conversations with the bride represent the painters post-modern strategy, which encompasses approaches such as intertextuality. Here, Imants esthetical work elucidates the link between the artwork, the viewer and the artist. This relationship is e xemplified through the use of layering whereby contemporary and historical references from two literature and art are comingled.